Embedded Playlist Player

I’m trying out the Imeem playlist player. The version on the Imeem site is fancier than this but thank the stars the embedded version is plain. It fits red leopard’s minimalist sensibilities. Sweet!

It’s super simple to use. Find a playlist you like, cut and past the code snippet into your blog. Like that and it’s done!

So why Aaron Lewis? I like his solo acoustic work over his staind electric work. Not everyone shares my opinion but Imeem has beaucoup playlists. Go get your own!

Dammit, man! Get it together!

I’m re-reading Tom Peters’ Talent. It’s funny—not the ‘ha-ha’ type but the ‘strange’ type of funny—that on a second reading, the material often takes on an entirely different cast. I believe it’s the time in between the readings, the between time, in which your daily experiences are interpreted within the context of ideas gleaned from the first reading.

In any event, Peters accomplishes at least one of his goals:

“I don’t expect you’ll agree with everthing that I say in this book. But I hope that when you disagree … you will disagree angrily. That you will be so pissed off that you’ll … Do Something.” [p.9]

And he accomplishes it. I do not agree with everthing he writes in Talent. And if you really engage what he has to say, it will piss you off. It will challenge your personal view of the world and, more importantly, your view of yourself. Just who the hell are you and who cares?

Peters has a short questionaire he uses in his consulting practice. Seven sentence completion exercises. [pp.46-47]

1. I am known for…

2. Next year at this time I will also be known for…

3. My current project is challenging me in these ways…

4. New things I’ve learned in the last 90 days include…

5. My public “recognition program” consists of…

6. Additions to my Rolodex in the last 90 days include…

7. My resume today is Discernibly Different from my resume last year at this time in these ways…

The first time I read this, it struck me as both obvious and seldom considered. I made a mental note that I should do this exercise periodically. Yeah. Didn’t happen.

What did happened inside the two years since I first read Talent is I interviewed a lot of applicants for positions at the startup I’m with—a LOT of applicants.

There comes a point—and it’s different for everyone—when while you’re interviewing a guy who wanders endlessly in verbal brownian motion … at that point, you scream quietly inside your mind, “Dammit, Man! Get it together!”.

I mean, come on! The job description was typed out, published online, described verbally by the recruiter, bla bla bla. If you’re not prepared (or willing) to present how you can take on the job as described, at least be prepared to present how you can do something relevant to the company’s business.

Once that happens to you, once you snap, you start to see it EVERYWHERE. In training. In meetings. In the myriad daily conversations with co-workers.

It hit me this week. How prepared am I to interview? What the hell have I done this last year?

Let me tell you. This may not be going where you think. I am not setting out to interview. I’m not done with my current gig.

It hit me this week. I don’t have time to play with D players. I don’t have time for even the B players. I want to play with the A players. I’ve been too damn tolerant for too damn long. And the words that rang in my ears were, again, Peters’:

“FACT: Some people are more talented than other people.”

“FACT: Some people are a hell of lot more talented than other people.”

“Talent matters.”[p.14]

Hell yes, it matters. Either you’re on the A-List or you’re not. Either you are—and this is hard—either you are on the A-Team or you’re not.

Why is that hard? Because you work with these people. You develop relationships with them. You become connected. If you accommodate their D-Listedness then you become unwilling to hold them to A-List performance. And that unwillingness leaves you resigned to the D-Listedness. In the end, you have all the rationalizations, explanations and justifications as to why that’s the best that could have been done. None of that changes the fact that you are on the B-Team. None of that changes the fact that A-List players don’t play on the B-Team.

So, what do you do? How do you start?

Well, don’t go out and start interviewing. You’ll just end up on the same team. Just different players. A-Listedness starts with you.

You look into the mirror and you say, “Dammit, man! Get it together!”

Office Tour

At work, we ditched our cubicles and went straight up desks. It is amazing what breaking down the cell walls will do.

Anyway, here’s ten points of interest in this “Kelly’s Office Tour.”

Kelly's Office

1. Mazzy Star Promo

Mazzy Star was an American 1990s dream pop/alternative band. They formed in 1989, from the band Opal, a collaboration of guitarist David Roback and bassist Kendra Smith. Smith’s friend Hope Sandoval became vocalist when Smith left the band.

See also, last.fm

2. The Masterplan

3. Geek Books

– Apache: The Definitive Guide
– Web Site Measurement Hacks
– Essential ActionScript 3.0
– Extreme Programming Explained
– Agile Estimating and Planning
– MySQL Database Design and Tuning
– MySQL 5.0 Certification Study Guide
– The Ruby Way
– Linux Server Administration
– Java Generics and Collections
– Jakarta Commons Cookbook
– Learning Java
– Beginning JSP2
– Pro Apache Struts with Ajax
– Pro JSP2

4. Photo box

The photo box is used as a pencil/supplies box. The desk has no drawers and I simply liked the box’ color.

5. Igloo lunch pail

6. View of the sky

I get about 40 minutes of direct sunlight in the late morning. The rest of the day, it’s filtered light through the trees. Nice.

7. MacBook Pro

Macs rule!

8. Overstuffed chair

Where I sit all day and grow fat.

9. Super secret notebook

Someplace to jot down action items during meetings. It seems old school to use “paper” but it works. Besides, people who bring their laptops to a meeting and proceed to read email and engage in side IM chats… well, they suck. It’s rude and it saps the meeting’s focus and energy. Bring a pad of paper and jot down your action items.

10. Desk pad

We all went down to the art store and bought colored matboards. I was in an orange mood that day. (One does need a hint of color…).

The Art of Peace 7

Eight forces sustain creation:

Movement and stillness,
Solidification and fluidity,
Extension and contraction,
Unification and division.

—Morihei Ueshiba

THE ART OF PEACE 6

The Art of Peace functions everywhere on earth, in realms ranging from the vastness of space down to the tiniest plants and animals.

The life force is all-pervasive and its strength boundless.

The Art of Peace allows us to perceive and tap into that tremendous reserve of universal energy.

—Morihei Ueshiba

who are you?

“Long you live and high you fly
And smiles you’ll give and tears you’ll cry
And all you touch and all you see
Is all your life will ever be”
—Pink Floyd, Breathe (second stanza)

One chooses or not. Nevertheless, one is; you are; I am. At the root of not knowing who one is a failure—or a refusal—to choose.

Our personalities, our identities, our ingrained patterns of behavior are all antithetical to choice. Personality, identity, ingrained behavior are the default that suffers no possible alternative, only itself. It (personality, identity, ingrained behavior) is a mechanism, the design function of which is survival—primarily /its/ survival.

But what if that mechanism is stuck with faulty programming? You know, like being stuck in the Seventies. Perhaps that programming worked well for you in 1978 but maybe it’s not working so well in 2008. Doesn’t matter. That mechanism suffers no possible alternative.

That’s why it feels sometimes as if you are stuck. You are! Really stuck. Like, La Brea tar pits stuck. To get /unstuck/ is to confront the mechanism—that mechanism which has you act and think in the very ways that has you stuck. I paraphrase here Heidegger on the nature of this confrontation.

“Dasein’s kind of being thus demands that any ontological Interpretation which sets itself the goal of exhibiting the phenomena in their primordiality, should capture the Being of this entity, in spite of this entity’s own tendency to cover things up. Existential analysis, therefore, constantly has the character of doing violence whether to the claims of the everyday interpretation, or to its complacency and its tranquilized obviousness. While indeed this characteristic is especially distinctive of the ontology of Dasein, it belongs to any interpretation, because the understanding which develops in Interpretation has the structure of a projection.” —Martin Heidegger, Being and Time (eds. and trans. Jon Macquarrie and Edward Robinson (New York: Harper, 1962), p. 359.

And that’s what it feels like. Doing violence. And it is. To get unstuck is to confront one’s own personality, one’s identity, one’s ingrained patterns of behavior. It’s meta-programming, if you will. Programming your programming.

Some of you, the really clever one’s—the smartasses—will immediately see the circular nature of /programming the programming/. It’s just more programming. True enough. The program that programs is simply more programming. You end up in the same place. It’s circular.

Now, if that’s depressing for you, if you don’t like it: Too Bad!. That’s just the way it is. “And all you touch and all you see is all your life will ever be.”

If your mechanism has you act in a predictable, programmed way, then you can pretty much write the story of “The Rest of Your Life.” If you don’t like that story, again: Too Bad! Your programming won’t suffer any alternative. Reprogramming your programming simply leaves you on a road without any alternative. Your mechanism’s design keeps you on /the one road/.

Fortunately, human beings are designed with one option to override the mechanism. Choice. Perhaps I will write on the nature of Choice someday. But not today. I now conclude:

Our personalities, our identities, our ingrained patterns of behavior are all antithetical to choice.

One chooses or not. Nevertheless, one is; you are; I am.

Who are you?